‘Faith’ Review: Enigmatic, Increasingly Unmoored Grief Drama Isn’t Equal to Erin Doherty’s Gut-Wrenching Performance

Twenty years connected from his debut diagnostic “London to Brighton,” Paul Andrew Williams remains a pugnacious endowment to pigeonhole connected the British indie movie scene. His filmography veers from kitchen-sink realism to chaotic genre storytelling, sometimes with a supernatural bent; from the visceral, stomach-churning severity of “Bull” to the untrammelled sentimentality of “Song for Marion.” […]