Lav Diaz on the Hunt for Truth in ‘An Entry Into the Sadness of a Portuguese Woman,’ Third Chapter of His Acclaimed Hermes Trilogy (EXCLUSIVE)

Venice Golden Lion victor Lav Diaz (“The Woman Who Left”), who returns to the Lido this week with the Venice Open enactment “Let Us Through, Dear Ancestors” (Makikiraan Po), is successful post-production connected “An Entry Into the Sadness of a Portuguese Woman.” The Filipino auteur presented the movie during the Venice Gap-Financing Market, which took […]