‘The Idiot(s)’ Review: Dostoevsky Is an Endearing Drunken Fool in This Rambunctious, Tonally Off-Kilter Two-Hander

As biographical films connected large humanities figures go, “The Idiot(s)” starts disconnected with an vantage implicit most, since it covers lone a finite, conflict-laden transition of its subject’s storied life. This enjoyably off-kilter dramedy past further ingratiates itself with viewers bored of traditionalist hagiographies, due to the fact that it besides functions arsenic a biting workout successful separating the […]