‘Vintage Violence’ Review: Cole Sprouse Heads Up a Hyper-Online Gonzo Freakout in Japan

Eugene Kotlyarenko has built a vocation connected drafting upon his widely-viewed cinephilic basal of cognition to see much modern forms of hyper-online, of-the-moment provocation, and “Vintage Violence” is nary exception. As with Kotlyarenko’s arguably best-known film, 2020’s “Spree,” live-streaming is key: “Vintage Violence” introduces obnoxious societal media personage Carter (Cole Sprouse) mid-stream earlier rapidly spinning […]